How I Work

Ideas often begin with something small: ripples moving across water, lines in sand, the surface of a stone, or the imprint of a hand. I’m interested in the way movement, time, and touch leave evidence behind.

Most of these works are made with gel printing and acrylic paint on paper. I build colour and texture on a gel plate, using different surfaces and found materials to make impressions. I never know exactly what will transfer, and that uncertainty is part of what keeps the process alive.

Each print moves back and forth between planning and discovery. I choose the colours and composition, then respond to what appears on the paper—adding a layer, lifting one away, or letting an unexpected mark remain.

For me, gel printing is a way of holding on to something fleeting: a movement, a texture, or a trace of human presence.